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Tag: Action

Prince of Persia Review

Prince of Persia ReviewJerry Bruckheimer delivers another over-the-top fantasy action film, this time based on a video game. Prince of Persia: The Sands of Time is very similar to the Pirates of the Carribean series, with otherworldly aesthetics (a Bruckheimer hallmark) and feats of strength and ability that defy the laws of physics. In sixth century Persia, a street urchin named Dastan, played by Jake Gyllenhaal, is adopted by the King after outmanouvering his guards following an altercation in a local market. Years later, he and his brothers participate in an attack on the sacred and holy city of Alamut and Dastan comes into the possession of a dagger that has the ability to turn back time. The shapely Princess Tamina, played by Gemma Arterton (Strawberry Fields from Quantum of Solace), makes an attempt to get it back and eventually enlists the help of Dastan in preventing the end of the world. Okay so the story is a little more complex than that but you get the gist. Regardless Dastan and the fair princess are taken prisoner or cornered a half a dosen times but manage to escape unscathed, every time (a dagger that lets you roll by the clock does come in handy). One of the figures always hot on their heels is the ostrich racing and tax hating Sheik Amar, played by Alfred Molina, a lesser known but great actor who provides a lot of much need laughter in this film. Sir Ben Kingsley plays one of the main characters and is ace, as usual. The visuals in this film are stunning, the huge digital cities are the stuff of an Asian Lord of the Rings and the special effects are well done. Fight scenes are inspired by The Matrix and chase scenes by The Bourne Ultimatum, though the video game is famous for it’s rooftop action. Alright, myth and magic play a role in the story, but just once I’d like to see a bloody nose or a chipped tooth from a misstep. Just because fantasy is involved doesn’t mean a film can’t be realistic, but I play that harp too often. It’s not a very serious film but it’s pure entertainment, if you’re looking for character development, or characters with any depth or motivations besides the plainly obvious, look elsewhere.

The Pacific: Review of Episodes 7 & 8

Part seven of the HBO mini series The Pacific sees Sledge and the Fifth Marines continue the fight for Peleliu after having taken the airfield in part six. Whereas the last episode marked Sledge’s birth by fire, this episode observes as he and his comrades turn into (or back into) a bunch “raggedy-ass Marines.” Unbeknownst to the Americans, the Japanese have built an extensive tunnel network, and fighting in the hills above the airfield is tedious, deadly and demoralizing; the round-the-clock, close quarters combat takes its toll physically and psychologically. For a lot of Marines this is familiar territory but Sledge begins a steep descent from a God-fearing southern boy into a deeply troubled young man. He even makes an attempt at getting a dead soldiers gold teeth, but Snafu, perhaps realizing that he’s in part responsible for his comrades change in behaviour, talks him out of it. The constant loss of life, and eventually the death of Captain Andrew Haldane, who was liked and respected amongst the troops, contributes to low point in morale. Even Sgt. “Gunny” Haney, the most experienced and probably hardest Marine in the whole division, breaks under the extreme pressure. When they are finally relieved and return to Pavuvu they’re greeted by women clad in shining whites distributing lemonade, and the troops, tired and bewildered, take their time (and a good look at the girls). A soldier with the ladies asks Sledge and his pals to move along, he quickly gets death stares from the whole platoon and we watch as his the blood drains from his face. While all war films are gritty and realistic, I think HBO did a great job depicting the temperment and conduct of the soliders, in fact nothing in the whole series is sugar coated or toned down. In part seven Basilone is getting bored on the bond drive and it sets up part eight and the battle for Iwo Jima.
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A Nightmare Remake, The Horror

With the new A Nightmare on Elm Street being universally panned by critics, I thought it was time for me to brush up on the horror genre and finally see the classic Wes Craven creation. The original film was released before my time but there are plenty of fans who grew up with it and, as is the case with most remakes, don’t feel there is need to replace or ‘update’ a timeless masterpiece. I wasn’t even aware that the film was so coveted or even seen as anything more than a scary slasher movie; but then again I only got to know the character Freddy Kruger from trick or treating on Halloween. But I got a swift education as I was listening to Mark Kermode on BBC 5 as he just unloaded on the remake, in particular for dropping all of the subtext and getting it all wrong, for lack of better words. After having watched the original I can’t say that the film was layered or very symbolic but then again I come from a different time and place. Nevertheless I can see what Kermode is saying about the archetypal bogeyman, and what others said about the dream sequences and being able to relate to them. I will admit that it is a genuinely scary movie, even if the score and special effects are a little outdated. However I found the backstory a little weak, and while there is a vague notion that Freddy is exacting revenge on the children for the sins of their parents, it’s certainly not the focus or even a main part of the story. Regardless, Kermode does rightly point out that a lot of remakes hollow out the heart and soul of their predecessors, just to make a few bucks. It’s also very aggravating, as what was once a meaningful piece of popular culture is reduced to knives and a hat. Also, the default greens and browns of horror films today are very tiresome, and sadly there are very few directors working in the industry capable of stopping the genre from being written off as little more than gore and gratuitous violence. Not that these films need to be in oscar contention, but if they want to draw an audience beyond the cheap thrill seekers then they’ll have to stop producing films like Jeepers Creepers or the latter Saw films. Hostel and The Human Centipede are unlikely to be steps in the right direction.
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Iron Man 2 Review

Iron Man 2 Film Review The anticipated sequel Iron Man 2 is a slick action flick based on the same formula as its predecessor. Tony Stark, after admitting he is Iron Man, has succesfully privatized world peace and refuses to share his technology with the U.S. Government. That much is clear from the trailer, but if you haven’t seen the first or second Iron Man, be warned there are spoilers. The key to Stark’s technology is the power source he developed with minimal resources and equipment in a cave in Afghanistan. The arc reactor in his chest keeps him alive, but its palladium core is slowly killing him. Until he can find another replacement he needs to keep an eye on the toxicity level in his body and drink a strange brew. The ingedrients in the film however are nothing new to the audience, with the main villain origins being traced back to disgruntled partners and (former) employees on a deadly quest for their fair shake. This familiar formula also means we have to wait until the end before Iron Man is really put to the test. Sure, Stark gets into a few skirmishes, first with Ivan Vanko played by Mickey Rourke, who is able to replicate Stark’s technology and show the world that Iron Man is not invincible. The brown stuff never hits the proverbial fan though, even Vanko escapes unscathed and is later sprung from jail. A boozed up Stark then brawls with Rhodes, who absconds with the Mark II suit. The rockets, grenades and lasers don’t start flying until the end, and even then he makes short work of the drones or “Hammeroids” sent to kill him.

Sam Rockwell plays Justin Hammer, the ambitious, slighty jealous and completely incompetent defense contractor who springs Vanko from jail and bankrolls the production of the drones for Hammer Industries. Don Cheadle takes over for Terrence Howard in the role of John Rhodes. Howard earned plenty of praise for his job in the role unfortunately it fell through because, according to him, the contract “up and vanished.” Robert Downey Jr. reprises his role as Tony Stark. As in the first film, the role suits him very well and he plays the non-chalant billionaire supergenious with ease. Downey has long since solidified his comeback, with strong performances in better known films like Sherlock Holmes, Zodiac and in the perhaps less well-known film A Scanner Darkly (all highly recommended). Similarly, Mickey Rourke is making good on his own rebirth, following up on recent films like Sin City and The Wrestler with a strong performance as the main villain. Samuel L. Jackson has a small part but will likely play a bigger role in the final installment of the trilogy. The same goes for Scarlett Johansson the Black Widow, although she gets to strutt her stuff at the end of the film. All in all, it’s a star studded cast (even Paul Bettany does the voice for Starks suit and lab) and everyone is suited to their role, it’s a strong action flick and the super hero without a secret identity is a fresh change even if the storyline is similar to the previous.

The Pacific: Review of Episodes 5 & 6

Parts five and six of the series mark the halfway point in the series. Up until this point the fighting has been rather stationary, with the Americans taking positions and holding them, with much success. Eugene Sledge (Joseph Mazzello) and some other newly minted Marines arrive on Pavuvu, where he finds his pal Sidney Phillips (Ashton Holmes) from back home who is noticeably more weathered and jaded. The reunion seems a bit strained and one begins to wonder how this spring chicken from Mobile, Alabama is going to fit in with his battle-hardened brothers in arms. Leckie return to his unit as well and he and Sledge even chat about books and God in particular, in what will hopefully not be the last time the paths of the three main characters cross.

The 1st Marine Division leaves the crabs on Pavuvu to fight the Japanese on Peleilu and Sledge gets his first combat experience and shows his worth, managing to earn the respect of the veterans, even the war weary and almost expressionless Merriell “Snafu” Shelton (Rami Malek) offers to trade tuna with Sledge. This reminded me David Webster struggling to be accepted back by his regiment in Band of Brothers, though not to the same extent where the other characters start to become unlikable. While the war rages on,the hero of Guadalcanal John Basilone is back home in the States “selling bonds and dickin’ blondes.” The battle scenes in this part are far more impressive, although the acting seems to suffer, the meetings Sledge has with Leckie and with Phillips feel forced and unnatural. The action however is first rate, the beach landing is a wild a deadly ride which is superbly shot.

In part six the fighting continues, with the troops fighting thirst and exhaustion in addition to the well positioned Japanese who have taken a break from simply throwing themselves on the sword (as in the first few episodes). This time around it is the Americans who are making a difficult advance to try and take control of an airfield and there are a lot of casualties, despite being able to reach their objective. They end up camping out in some blown out buildings and in looking back it occurs to me that with the exception of Australia, virtually all of the Pacific islands visited so far seem to be entirely uninhabited, save for the soldiers themselves. I’m sure most people hit the road as the war broke out but there seems to be little proof that anybody lived on them before they became battlegrounds. In any case one begins to realize the logistical nightmare and the high price of progress in the Pacific theatre. Leckie and comrade Wilbur Conley can count themselves lucky to be in one piece and on a boat headed for home. It was an episode with some pretty intense fighting and there is only more to come, it will be interesting to see how Leckie and Basilone get brought back into the action.

The Pacific: Review of Episodes 3 & 4

The Pacific Episode 3 Just over a week ago I covered the first two episodes of The Pacific, HBO’s series on the Pacific theatre of World War II. After four months on Guadalcanal the troops finally get some hard earned reprieve and a hero’s welcome in Melbourne. They are treated as the saviours of Australia, but not everybody is thrilled about the presence of the Marines, namely the few lads left down under whose compatriots have been fighting the war for a few years already. One sour soldier decides to mention said frustration just as Basilone and Morgan are toasting a fallen comrade. Blows are exchanged and a round of drinks is ordered for the ‘Cowboy Yanks’ to cool everyone’s tempers. Just as in Band of Brothers, you get beaten over the head with the vernacular of the Australians and British; slow, clear (but heavily accented) pronunciation and the overuse of slang to refer to their American comrades. ‘Hey Allan, another round of drinks for Uncle Sam’s Yankee-Doodle Cowboys.’ That wasn’t in there but you get the idea.

Despite the over-the-top Aussies Melbourne is the equivalent of heaven on earth. They’ve done a great job recreating the city at that time, with old trams and neat townhouses. It really is gorgeous and provides the backdrop for the Marines’ booze fest and tail chase, with all of the main characters having to put in various of degrees of effort trying to get their broads into the sack. Leckie meets the daughter of a first generation family originally from Greece, who take him in with heart and soul, only to be dumped later by his girlfriend out of fear he might never return. Basilone is informed he’ll receive the Medal of Freedom for his bravery on Gaudalcanal. Leckie gets into trouble for the first time (on video he mentioned that he got promoted and demoted so often they should have had a zipper for his chevrons), and Basilone gets sent home to bang the war drum and raise money.

In part four the troops are sent back into the field on the isalnd of New Britain at Cape Gloucester, once again the outnumbered Japanese throw themselves on the sword and the troops end up battling the elements more than the enemy. Some are driven to insanity and Leckie develops enuresis, or bedwetting from the stress. Even out of combat the troops have to deal with rats and crabs. Leckie gets sent to a hospital which is actually more of a looney bin and gets a break, a coke and burger and manages to stay dry and asks to be sent back to his unit. I agree with another reviewer in that I find Leckie to be a likeable guy, somewhat unpolished but genuine. It’s going to be interesting to see how they devleop, and how they cope; we’re not half-way through this thing yet and and the hardships and pressure being faced is already immense.

Bloody Sunday Review (and Treasure Island Talk)

Bloody Sunday ReviewWait a minute, didn’t this movie come out years ago? Yes, it came out in 2002, I try to stick to current films, but after watching Green Zone, and having been impressed with the latter Bourne movies, I decided to delve deeper into the Greengrass canon. The same director who was recently offered the chance to direct an adaptation of Treasure Island for Warner Brothers, with the help of Lionel Wigram who produced Sherlock Holmes. Apparently there are two competing versions of Treasure Island, in addition to competing versions of The Three Musketeers, in 3D. I could only reminisce with fellow commentators about Muppet Treasure Island and express my desire to see Billy Connolly reprise his role as Billy Bones. I digress. Paul Greengrass would have been an interesting director for this swashbuckling adventure, what with his cutting naratives and edgy camera work.

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The Pacific: Review of Episodes 1 & 2

The Pacific Epidsode 1 & 2As promised in that other post, I’ve written a review of the first two parts of The Pacific, the HBO mini series following three marines through the Pacific theatre of World War II. Executive producer Tom Hanks narrates the opening of each episode which features original footage and maps. We also get to hear from the veterans themselves, as they describe in their own words what they were thinking or what they knew going into the war. Unlike the companion series Band of Brothers, The Pacific wastes no time jumping into the action. We catch up with the troops just before they’re about to ship off, as they’re taking in Christmas and saying their goodbye’s. In the first two episodes we’re introduced to the three main characters: Robert Leckie, John Basilone and Eugene Sledge, the latter is unable to join up due to a heart murmur. In the first episode Leckie and the 1st Marines land on Guadalcanal, one of the Soloman Islands with an airfield in striking distance of supply lines to Australia.
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Robin Hood Preview

A while ago I saw the teaser for this film but now that the trailer is out it seems that a full blown preview for the upcoming Robin Hood is long overdue. In promoting this film they’re eager to remind us that Ridley Scott also directed Gladiator, but if you’re worried about his medieval credentials you can also watch Kingdom of Heaven. In any case the English folklore story is in capable hands, especially with Russell Crowe and Cate Blanchett in leading roles.

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Repo Men Review

repo men film review Have a Heart (Brief Synopsis)

In the near future, artificial organs are commonplace but expensive. That means your new lease on life is just that – a lease. If you can’t make the payments they’ll send someone to take it back, but the best repo man in the business has a change of heart when he, well, gets a new heart.

Making a Killing

It’s the perfect business model: offer the customer a product he absolutely needs, bleed him dry until he defaults, reposses the product and sell it again, repeat. Too bad the products in this case are vital organs, and reposession means you die. The movie starts with Remy (Jude Law) in front of a typewriter, musing about a cat experiment. The experiment – where the scientist can’t be sure if the cat insides a box had been gassed or not, and thus must assume that the cat is both alive and dead – becomes the thread throughout the film. He then recalls one of his repo jobs: the client is knocked out and his heart is removed – while he’s still alive. Any girl who likes heart throb Jude Law will certainly enjoy seeing him elbow deep in another man’s chest cavity. His wife, the moral idealist, decides she’s had enough after Remy’s schoolmate and war buddy Jake (Forest Whitaker) takes a break from a BBQ to remove a man’s overdue kidney. As a result, Remy decides to put away the glock and scalpel, after one last job.

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