the hobbit film   batman 3 movie
Tag: Political

Lament for a Wall Street Protest

Democracy in your Face - Pepperspray Wall Street Davis

Democracy in your face. Pepperspray at close range, protestors were then handcuffed and dragged away.

In the last couple of weeks, the Occupy Wall Street protests have been broken up in New York City and elsewhere – students in California braving batons and pepper spray in truly disturbing clashes with campus police. Despite their staying power – after almost two months the news media is tired of reporting on them – they didn’t really accomplish much, despite their creative consensus building and action committees. Nevertheless it’s still remarkable, and the results will hopefully be felt, come election time in the United States. Even since the 2008 financial crisis, plenty of work has been released dealing with the financial system, in all different kinds of media from film to literature. From the documentary Inside Job to the more recent film Margin Call, all laying bare the machinations of the financial system. There is plenty to protest about, the revolving door between Washington and Wall Street, the billions in executive bonuses, but more importantly how Banks and other financial institutions privatize profit and socialize losses.

William D. Cohan wrote a book called Money and Power: How Goldman Sachs Came to Rule the World said in an interview with Jon Stewart on the Daily Show “I’m not a violent person [...] but I dodn’t understand why there hasn’t been protests in the street about Wall Street did here.” That comes form someone who worked on Wall Street for almost twenty years. While the immediate reaction was one of disgust the mobs didn’t come until recently, probably a combination of things but most immediately as a result of the U. S. reaching the debt ceiling. In the end people took to the streets, but it seemed they wanted to start society anew, reduce the role of government, but spread the wealth – that’s not going to fly. In the end they didn’t have a consistent message, they were just there, and now they’re gone. Polls showed that at the beginning, most Americans were behind the protestors, but as things dragged on support waned. The problem was, there was no clear message, what started as a protest against greed and corruption on Wall Street, turned into a free-for-all on the wealthy and government in general. I’m not saying they need a PR consultant to give them a slick slogan and talking points, but they do need a direction, some kind of goal.

It’s a crying shame, had they focussed on real, actionable change, they might have got something done – two concrete policy issues come to mind: financial reform and taxes. The promised changes in financial regulation have no teeth – Wall Street lobbyists are helping write it, and only a small portion of the promised reforms have actually been enacted, the rest hasn’t been written yet. With regards to taxes, the rich need to start carrying more of the tax burden, period. While concrete policy intiatives might be a little lame for the hemp-wearing drum-beating crowd, it might have had more of an effect.

Obama Kills… at the Correspondents’ Dinner

A little over a week ago President Obama absolutely wiped the floor with the celebrities and media pesonalities gathered for the White House Correspondent’s Dinner, a story that got buried after Osama bin Laden got buried – well shot in the head and buried at sea. The day before, armed with media props and a cool demeanour the Decider in Chief bitch slapped Fox News, Donald Trump, Matt Damon, Paul Ryan, Michelle Bachmann, Mitt Romney and Tim Pawlenty, just to name a few. He was also self-effacing, and managed to stay cool as Seth Meyers cracked jokes about Osama bin Laden and his whereabouts. All in all a strong performance, but before I ruin any of the jokes I’ll let the President himself deepen those laugh lines.

Fortunately the President’s speech had a lot of Hollywood tie-ins (King’s Speech, The Lion King, Matt Damon, etc.), otherwise this wouldn’t be the appropriate forum – well, I probably would have written about it anyways. But really, although we like to scoff at the vocal and politically engaged Hollywood elite, Matt Damon does, in my opinion, have a reason to be disappointed. If for no other reason than for his handling of Wall Street, namely reform without teeth or meaning, and continuing the the revolving door policy. For instance, despite being at the center of almost every major American economic meltdown, there’s no SEAL team descending on the headquarters of Goldman Sachs. Indeed CEO and chairman Lloyd Blankfein is doing God’s work. William D. Cohan, author of Money and Power, said it’s a wonder people didn’t rise up – Matt Damon did, and I respect that. My two cents on politics. King’s Speech was a good movie, by the way – this is a movie blog after all.

Joe Wilson's War or: Much Ado About Aluminum Tubes

Fair Game Film Review I love political thrillers. Well in this case, “thriller” is being a bit generous, it’s more of a drama, the numerous shots of Sean Penn and Naomi Watts watching news clips in airports isn’t exactly edge of your seat action and suspense. Not to sell this film short, Valeria Plame is quite the femme fatale. Watching the film a had a lot more respect for her service and realized how badly the Government screwed her over. This film does a good job of covering all the bases and clears up a lot of the misconceptions about the scandal. For those who don’t know, Valerie Plame was an undercover CIA agent with a husband who was a former Ambassador to Niger. She suggested he be sent to investigate the possible sale of yellow cake to Saddam Hussein. He didn’t find anything but his visit and report were still used as a pretext for war with Iraq and when he realized what had happened he wrote an op-ed column and became one of the first to speak out against the case for war, in realiation, White House staffer Scooter Libby outed his wife as an agent publicly, endangering her contacts, operations and ending her career. As I said it is a political drama with many intricacies, and not so much action, but it is nonetheless a very compelling story, it also shows what a difference the media makes in todays politics. I was initially skeptical, given Sean Penn’s outspoken stance against the war in Iraq, but the film is very fair and balanced, not pushing an agenda but presenting all the angles. It was argued that Joe Wilson’s media campaign was shameless self-promotion, it’s not presented as such but the film is smart in showing lecture halls before and after his media exposure and Ambassador Wilson is obviously and understandably invigorated by his new found fame. His career, even facing off against Saddam Hussein before the first Gulf war, was very distinguished but not recognized or celebrated. If you’re into politics, political thrillers or anything definitely see this movie. It’s full of intrigue and personal drama, and offers an initmate look into the personal struggles of two people caught in the crosshairs of the media and government. What the White House and CIA did to one of their own is simply deplorable. It’s both agrivating and fascinating, it’s amazing how two people, a married couple, with the husband not knowing much about his wife’s work, were both such central figures in the lead up to the war in Iraq. I do however have one beef with the producers, and with the CIA, as a Canadian I’m tired of American spies using our nationality as cover, in Syriana, Mission: Impossible, and in this film. American tourists looking for a better reception overseas by sewing maple leaves on their backpacks is one thing, but spooks using our good name can have serious ramifications – Canadians travelling abroad might find themselves being taken away by immigration officials for a little chat more frequently, for instance. Thanks Hollywood, and the CIA. Then again that’s the only cover one could easily take, they’re not going to pass for Tibetan Monks, per se.

"Mein Führer, I can walk!"

Stephen Colbert is the man. On his show The Colbert Report (-ert and -ort both spoken softly) last week, he proposed a kind of Mutually Assured Destruction as a possible solution to the Ground Zero Mosque quagmire while paying homage to Peter Sellers and Dr. Strangelove. I was simply blown away. If you haven’t seen the movie watch the best two parts where Peter Sellers is acting as Dr. Strangelove, a scientist and former Nazi as he explains The Doomsday machine or his plans for the Apocalypse. It’s absolutely genious. Here you can watch Colbert’s whole edition of “The Word,” where he explains in character how a deterrent to Muslims building a moque near the site of the 9/11 attacks in New York would work. Another comedian, Pat Condell is more direct and less sly, but just as biting in his criticism – though the bit about the Mosque opening on Sept. 11, 2011, which isn’t true, apparently. But whatever your political leanings you have to enjoy the Colbert.

The Plame Game

I loves me a good political thriller. Fair Game is sure to be one. What with Sean Penn and Naomi Watts starring opposite one another in a dramatization of the Valerie Plame affair. Plame was outed by the White House in an attempt to discredit her husband Joseph Wilson, played by Sean Penn – a point of contention for some given his stance on the Iraq War. You remember his soiled and blood-soaked underwear speech? You can watch it on The Colbert Report. I also recommend the Meta-Free-Phor-All. I’m interested to see how it turns out, I’m optimisitc because Doug Liman is directing, and he has more experience with mindless action films (Mr. and Mrs. Smith, The Bourne Ultimatum). I don’t know how many action sequences this film will have – a lot of papers being burned and photos being taken, with a courtroom crescendo – but I’m sure it will entertain. Here is the preview.

Bloody Sunday Review (and Treasure Island Talk)

Bloody Sunday ReviewWait a minute, didn’t this movie come out years ago? Yes, it came out in 2002, I try to stick to current films, but after watching Green Zone, and having been impressed with the latter Bourne movies, I decided to delve deeper into the Greengrass canon. The same director who was recently offered the chance to direct an adaptation of Treasure Island for Warner Brothers, with the help of Lionel Wigram who produced Sherlock Holmes. Apparently there are two competing versions of Treasure Island, in addition to competing versions of The Three Musketeers, in 3D. I could only reminisce with fellow commentators about Muppet Treasure Island and express my desire to see Billy Connolly reprise his role as Billy Bones. I digress. Paul Greengrass would have been an interesting director for this swashbuckling adventure, what with his cutting naratives and edgy camera work.

Read the full article »

Green Zone Review

green zone film review Brief Synopsis

The leader of a unit in the U.S. Military assigned to track down Weapons of Mass Destruction (WMD) becomes skeptical after receiving bad intelligence about their whereabouts on a number of occasions. His search for the truth occurs at a critical time during the war in Iraq and threatens to expose inconsistencies in the case for war.

Man on a Mission

Roy Miller (Matt Damon) heads a team of inspectors charged with finding WMD stockpiled in Iraq shortly after the capital has been taken in 2003. To put it simply, the Chief Warrant Office and his team are adept at kicking ass and taking names, but they are getting tired of fighting their way through to empty, long out of use warehouses. In the next briefing Miller asks questions about the faulty intelligence and when he doesn’t get straight answers, he decides to get his nose dirty. Director Paul Greengrass and Damon worked together on the Bourne sequels and this film continues in that vein. The camera work is minimalist, shaky and chaotic, which mirrors the situation and the break neck speed at which the capable Miller operates, springing quickly from one lead to the next and doing everything he can to find the WMD, and failing that, the truth. From an action point of view, this movie rocks, from start to finish.

Read the full article »

The Ghost Writer Review

ghost writer movie review film

Brief Summary

A professional ghost writer is offered the chance to work on the memoirs of a former British Prime Minister following the mysterious drowning of the previous author.

1984

Based on the polemic novel The Ghost by Robert Harris, the film is very true to it’s roots – Harris and director Roman Polanski worked on the screenplay together, as they had on a screenplay for Harris’ other book Imperium. This movie is enjoyable without it’s context outside of fiction but for those who want to know (and don’t already know) the Prime Minister Adam Lang (Pierce Brosnan) is a kind of Tony Blair characateur – though Harris (who was a Blair supporter up until the war in Iraq) himself points out a number of differences, and calls both Blair and Lang tragic heroes, it is undoubtedly a critique and revue of a world leader who became out of touch. In any case the film isn’t constrained to this narrative, which keeps it fresh and interesting (Pierce Brosnan indicated in this interview he would not have taken the role otherwise). Fortunately the almost dystopian view of London, where tube bombings are as common as traffic jams, is left off the screen as well. Nevertheless, given that this film takes a few stabs at a former world leader and that the director was arrested on a 30-year-old warrant, there is no shortage of controversy.

Elba

The former Prime Minister, Adam Lang (Pierce Brosnan) has retreated to Martha’s Vineyard to work on his memoirs. A professional ghost writer (Ewan McGregor), is given the job because he’s got a knack for turning otherwise unprintable material into bestsellers. Upon arriving on the island, which Lang’s astute wife (Olivia Williams) compares to living with Napoloen in exile on Elba, but as events unfold the ghost writer (who remains unnamed) begins to wonder if it’s worth the trouble, despite the lucrative salary. Insofaras the title character isn’t usually accustomed to writing political memoirs, neither is Roman Polanski accustomed to directing political thrillers. In both cases, these characteristics work largely toward their favour. Without getting too hung up on a message or fleshing out a complex conspiracy Polanski concentrates on building suspense and telling an entertaining story. Obviously there are some implied political ramifications, but at the end you’re more caught up in what it means for the characters.

Palace Intrigue

Williams and McGregor do a good job at playing out the mini soap opera that unfolds in the island mansion-compound. Kim Cattrall hits the right tone in the role of Amelia Bly, Lang’s shapely assitant and the object of his affection (much to his wife’s disdain). Brosnan puts his own mark on the character, and it seems like a natural fit for him. Indeed the casting was well done; smaller parts for Jim Belushi and Tom Wilkinson (both in their element) add a lot of depth to this movie. The slow unraveling of the story and the way it is presented creates a lot of suspense and it is enjoyable even if you have read the book; Polanski deserves a lot of praise for a stunning finish and creating a political thriller that is entertaining and neither self-importnat nor preachy, but maybe that was easy because it’s fiction – well, sort of.